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A very rare female Senufo sculpture, Ivory Coast, standing on a cylindrical base, short legs, elongated torso, the navel surrounded by radially arranged scarification marks, rounded shoulders, very long arms with one ring around each upper arm and four around each wrist, the hands clenched into fists resting on the short skirt, another ring nestles around the waist, the breasts protruding, on each three more scarification marks, below the breasts, in the height of the sternum there is an almost cubic box with a checked pattern, on the gently curved, long and slender neck, around which a square amulet hangs, rests an elongated head with an iroquois-like brush hair cut, the lips are presented as two short bridges, the nose is long and flat, the eyes are formed only as an incision in the face and the ears are worked as rings, in whose middle is a deepening; mahogany-colored, shiny patina, several cracks. The piece, which is of quite extraordinary quality, reminds of cubistic works. Burkhard Gottschalk writes that this is not a rhythm pounder (Débéle, do:ogèlè), but a very rare stationary used guardian figure. These sculptures are called propi:ibèlè, „children of the Poro". Lit.: Burkhard Gottschalk, Senufo. Massa und die Statuen des Poro, 2002; Staatliche Museen der Preußischer Kulturbesitz, Museum für Völkerkunde Berlin, Die Kunst der Senufo, Elfenbeinküste. Mit einem Beitrag von Till Förster, 1990; Museum Rietberg Zürich, Die Kunst der Senufo aus Schweizer Sammlungen, 1988; Susan Elizabeth Gagliardi, Senufo unbound. Dynamics of art and identity in West Africa, Cleveland 2015. ,- Euro Height: 118 cm |
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