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Benin Plaque, high-ranking military person in full regalia, a feather costume, coral ruffle, headgear, ceremonial sword and spear (?), maybe a general or a vassal warlord. The gesture of the two angled and outwardly directed arms is described by Gunsch as "grammar". It is a gesture that appears repeatedly in the depictions of the vassals and they always carry the ceremonial sword in their right hand. The left hand is either clenched into a fist or, as here, it holds an object described in literature as a spear. Why this "spear" has this strong curvature in the upper part can only be guessed. On many plaques you can find a spear attached to the plaque at its top and bottom and therefore it is bent but not as strongly curved as here on our plaque. We can only assume that this is a part of a spear with the lower half broken off or we are dealing with a completely different object. On a plaque depicted in Duchâteau´s book we find the central figure dressed like ours in the same feather costume, coral ruffle and headgear and holding a ceremonial sword and a spear but this spear is not bend at all! Perhaps you, the dear reader, will know what the enigmatic object is. In this case, please let us know.

Lit.: Kathryn Wysocki Gunsch, The Benin Plaques. A 16th Century Imperial Monument, 2019, p. 131-133, Annex 2 p. 2010. Armand Duchâteau, Benin. Royal Art of Africa, 1994, p. 57 no. 44.

Flange pattern by sub-type: Rounded corner double-woven BM Af1898, 0115, 112 left.

TL-analysis Kotalla: 280 years + / - 25 percent.

According to the UNESCO Convention of 1970, a claim for repatriation expires one year after the authorities of a country of origin have learned where and with whom a cultural object is located. Wolfgang Jaenicke Gallery therefore always informs about every newly imported object. Especially about the bronzes from Nigeria shown on this page, which are published in the internet and are accessible to everyone. Organizations dealing with restitution issues, but also freelance art historians employed by the state, such as restitution experts like Benedicte Savoy, are regularly informed about objects in the Galerie Wolfgang Jaenicke.
Every buyer of an art object, regardless whether it is made of wood, terra-cotta or bronze, must be aware that from a European legal perspective, traditional African art usually came from the respective African country of origin with insufficient export documents. Galerie Wolfgang Jaenicke, Berlin, tries to do justice to this dilemma by acting with the greatest possible transparency. The export policy of African states is problematic for art historical research, since African and European dealers usually work covertly due to diffuse legal situations and important information that was passed on from trade to science before 1970 tends to be lost.
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More info on request.

Height: 50 cm
Weight: 7,8 kg

GSC00576
photo: wolfgang-jaenicke.com, for more information, please write us an e-mail with the identification number of the photo identification no. GSC00576.jpg
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