A female Baule sculpture, related to the Goli masks, Ivory Coast, standing on a wooden base, knees slightly bent, both hands are touching the protruding stomach, her bust is mounted by a thick cylindric and ringed neck who carries a disk like head in the shape of a mask with a rectangular shaped mouth showing teeth, and two round eyes, the top are two horns. The stomach, back, legs and face are indented with scarifications that are a sign of beauty and status in Baule culture; some wear throughout the sculpture sign of use.

“To articulate historians, the most consistent features of Baule art is a kind of peaceful containment. Faces tend to have downcast eyes and figures most often hold their ams against the body. […] Among their abundant art forms, the Baule people continue to place the greatest value on masks and figure sculptures, which remain the only sculptural art still widely used in Baule villages. While there is a difference between the Baule view of their objects and that of Western connoisseurs, there are points of agreement. Aesthetic appreciation is one: Baule artist, and individual owners of objects, certainly sometimes enjoy the beauty of these objects and the skill it took coproduce them. […]

Ornaments above the face are chosen for their beauty and have no iconographic significance” p.141.

Lit: Baule: African Art, Western Eyes. Susan M.Vogel 1997.

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Height: 48 cm
Weight: 1 kg