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A Senufo maternity sculpture, Ivory Coast, sitting on a stool, two infants eagerly nursing at her breasts, solely fixated on obtaining essential nourishment, while the mother remains composed, supporting the child with her two arm. She is depicted with a hint of pride, featuring a distinct pointed mouth, large eyes, and a distinctive hairstyle reminiscent of a crest. Her narrowed eyes convey a sense of inner reflection and tranquility, delicate linear incisions adorn her temples and cheeks, reminiscent traditional Senufo markings. The sculpture's surface boasts a glossy, sticky patina, indicative of frequent application of oils for both spiritual offerings and preservation purposes, she also has a cowrie shell earring. Certificate of origin and provenance.
"The Senufo peoples form a complex network comprising more than thirty subgroups with many local variations of language and custom. They occupy a large area of West Africa that spans the national boundaries of Côte d'Ivoire, Mali, and Burkina Faso. Senufo society is patriarchal; inheritance, however, is traced through the matrilineal line. Consequently, the primacy placed on women and their essential maternal role is often reflected in Senufo artistic traditions like this sculpture. The tyekpa association is part of a larger social organization among the Senufo known as Sandogo. Membership in Sandogo is limited to female members of the Senufo community. Senufo life revolves around the Sandogo society and its counterpart, the all-male Poro society. These institutions cut across kinship lines and household ties, creating a social cohesiveness that extends throughout the community.." Sourc: The MET. sold Height: 72 cm |
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