A queen Baule sculpture, Cote d'Ivoire, collected in the Sakasou region; a fine touch patina with signs of ritual use and age. Certificate of origin and provenance.

“To articulate historians, the most consistent features of Baule art is a kind of peaceful containment. Faces tend to have downcast eyes and figures most often hold their ams against the body. [...] Among their abundant art forms, the Baule people continue to place the greatest value on masks and figure sculptures, which remain the only sculptural art still widely used in Baule villages. While there is a difference between the Baule view of their objects and that of Western connoisseurs, there are points of agreement. Aesthetic appreciation is one: Baule artist, and individual owners of objects, certainly sometimes enjoy the beauty of these objects and the skill it took coproduce them. [...]

Ornaments above the face are chosen for their beauty and have no iconographic significance” p.141.

Lit.: Susan M. Vogel: Baule: African Art Western Eye, 1997, p. 169 (169-187); Bernard de Grunne: Über den Baule-Stil und seine Meister. In: Eberhard Fischer/Lorenz Homberger: Afrikanische Meister. Kunst der Elfenbeinküste, Zurüch 2014, p. 81-106; Alain-Michel Boyer: Baule. Visions of Africa, Milan 2008.

sold

Height: 63 cm
Weight: 1,1 kg