This female figure from the Koumassi North region of Kumasi (Ghana) belongs to the cultural context of the Asante (Ashanti) people, whose sculptural tradition is closely linked to notions of fertility, social order, and spiritual balance. Such objects are often associated with so-called Akua'ba figures, which function as ritual or symbolic representations of feminine ideality and generative power.

The frontally oriented figure is characterized by a strong geometric reduction and, at the same time, a dense ornamental structure. The large, circular head forms the visual focal point, with a flowing connection between the eyebrows and the bridge of the nose creating a unified, linear facial composition. The small, closed mouth and the marked symbols on the cheeks - an "X" and a fluted ornamentation - refer to individual or symbolic markings within a coded system of signs.

The back of the flattened head is structured by linear grooves that continue into the fluted neck and merge into a cuboid body. The pointed breasts and the triple row of dots on the abdomen emphasize aspects of fertility and physical vitality. The crotch area is accentuated by an oval shape with a central tripartite division. The absence of legs and feet, as well as the cubic base, underscore the statuesque completeness of the figure.

Traces of wear indicate prolonged use and point to its integration into ritual or symbolic practices, in which it functions as a bearer of cultural and social meanings.

Literature (Selection)

Cole, Herbert M.: Icons: Ideals and Power in the Art of Africa. Washington, 1989.
Vogel, Susan Mullin: Baule: African Art, Western Eyes. New Haven, 1997.
McLeod, Malcolm: The Asante. London, 1981.
Ross, Doran H.: Wrapped in Pride: Ghanaian Kente and African American Identity. Los Angeles, 1998.

CAB 47137a

sold

Height: 33 cm
Weight: 270 g